DADA Fall Art Walk Roundup

DADA Panel Discussion

The day started for me with the panel discussion Art and Economics 101: Pricing and Protection of Art in Today’s Economy. I was pleased to be among mostly artists in the audience so that the conversation was skewed in my direction. Below are a few of the highlights from that discussion with images and observations from some of the galleries Saturday night.

One of the first topics of discussion was the importance of insurance. Charles Lipscomb of Lipscomb Insurance Group noted that 80% of the damage that happens to artwork takes place in transit so that is the most important time to purchase insurance.

Some galleries have artists sign contracts such as Craighead Green where others like Valley House Gallery have a gentleman's agreement. It was recommended that artists who are presented with a contract take it to a contract lawyer to have it looked over before signing. Additionally, in both cases it was suggested that if someone was considering joining a gallery that they contact artists currently represented before making a final decision.

DADA acts as an oversight committee making sure that member galleries act in ethical ways in dealing with artists, collectors, et al. If an artist were to have a problem with a member gallery they could contact someone on the board and get help.

Art Walk Roundup-

Conduit Gallery: Steven Miller 's Fukurama, Jill Foley's The Mountain, Dan McPharlin in the Project Room and Matthew Whitenack's installation

Dan McPharlin's miniature analog synths and works on paper were on display in the project room. McPharlin recently created artwork for a Prefuse 73 album cover. The work has a retro-futuristic feel.











Dan McPharlin

Jill Foley's installation The Mountain is a reworking of her MFA thesis review show at SMU. She earned her graduate degree this past spring. In the three weeks leading up to the opening she worked to make her installation into something grander than she had had the opportunity for in her thesis show. In the large space at Conduit the space that she has created is part cave, part lodge. The construction is hot glued cardboard with a coat of amber shellac. There is a homemade quality to the installation which combines a child's fantasy and Kurt Schwitters' Merzbau.





























Jill Foley installation shots The Mountain

Also in the show Steven Miller 's Fukurama
Matthew Whitenack's installation of a miniature gallery with video and personal artifacts becomes like a nesting gallery within the larger gallery space.


Craighead Green Gallery
Ursula O'Farrell, Arturo Mallmann, Shawn Smith

Shawn Smith's sculptures take the idea of moving something from the digital to the analog world. It looks as if the forms have been pixelated. Smith said that He doesn't use a computer to make sketches for the works, but does draw out designs with pencil and paper. There were also works on paper in show.

Paintings by Ursuls O'Farrell and Arturo Mallmann also on exhibit.












Shawn Smith Quiet Breath and Ewe


Pan American Gallery opened Howard Sherman's Bloodthirsty Animal on Two Legs. The paintings had an eighties feel with their oil, acrylic and marker gestures. The majority of the paintings were in the 50" x 60" range with a monolithic painting that must have been about six times larger. At that scale the layering and brushwork have an almost overwhelming impact.












Howard Sherman Soft Target


Marty Walker Gallery hosted Sarah Williams' Night Vision in the new smaller gallery space. The paintings were well painted night scenes that had a small town feel. When I first saw her work online I expected them to be large paintings, but they are actually quite modest in scale. She has a slightly loose approach that lends itself well to the imagery, making it feel hazy and romanticized.

The smaller size of the gallery wouldn't be important if you didn't know what you were missing. Seeing the space was another reminder of the effects of the economics of the gallery scene. It is good to see a gallery go smaller and weather the economic storm than close it's doors. I wish Marty Walker and all of Dallas' galleries good luck.

DADA Fall Art Walk

Dallas Art Dealers Association's annual fall art walk takes place this Saturday. As previously mentioned there will be two panel discussions, one focused on artist's careers and the second on pricing artwork. There are some 33 galleries/art spaces involved in the art walk this year. A list of those I'm most looking forward to below.

Not strictly DADA Saturday fall art walk highlights:
Steven Miller, Jill Foley and Dan McPharlin at Conduit Gallery 530-830
Night Vision, paintings by Sarah Williams at Marty Walker Gallery
As If Our Lives Depended On It, group show at HCG Gallery
Marc Quinn at Goss-Michaels Foundation
Shawn Smith at Craighead Green Gallery 5-8
Blueprint at The MAC 11-9

Shuttering the Art Lab

After a year in operation CADD (Contemporary Art Dealers of Dallas) Art Lab is closing it's doors. Director Anne Lawrence has worked with CADD gallery owners to bring exhibitions that showcase the some great contemporary art from some of the most exciting galleries in Dallas. Programing at the Art Lab has included a host of exhibits and Art Socials, where two artists sit down and discuss each others artwork and take questions form the audience in an informal exchange.

Funding has been cited as the culprit for the close, but it was a good run. The gallery may have had odds stacked against it, as the location and timing surely played a part in it's fate. Galleries are closing so often that one can't help but be concerned for the seemingly immovable local institutions like The MAC, the DMA and contemporary galleries that give strength to the local art scene. The hope is that they will all weather the storm and get creative which is really at the heart of all art making, and I believe that now is the time for Dallas to prove itself. Thanks to Anne Lawrence and the CADD group, and good luck with the forthcoming projects in the works.

CADD Art Lab will close with the current exhibition Launch on September 3. There is an Artist talk scheduled for September 3rd, tomorrow night at 7 pm with Julie Barnofsky, Angel Cabrales, Gabriel Dawe, Tim Harding, and Kyle Kondas.