Femme Fatale with Virginia Fleck, Sharon Louden, Kim Cadmus Owens, Kim Squaglia, and Sarah Walker at Holly Johnson Gallery
This exhibition is the work of five women, all with their own particular approach and vision for art making. Despite the fact that the show is solely women, it's first a group of artists that fit nicely in the oeuvre of work shown at Holly Johnson Gallery.
Dallas' Kim Cadmus Owens is the only local in the show, and the most exciting with paintings that make roadside scenes look as though they have been digitally unraveled. Breaking apart signage into a streak of colors overlapped with something like yellow channel artifacts from Photoshop, the work was at once traditional painting and contemporary with technological flair.
The plastic bags that were the basis for Viginia Fleck's art didn't transcend their origins, but have an intrinsic value in re-use of materials. The mandala is used for it's meditative and healing properties in the east, and the argument could be made that art from one person's promotional products (that would end up in a landfill) has a healing effect on the environment.
The definition of a femme fatale is an attractive and seductive woman, especially one who will ultimately bring disaster to a man who becomes involved with her. Significantly less ominous than that, this is definitely a group of women artists with a plan.
Kim Cadmus Owens
Virginia Fleck
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